Parallel Thoughts By Wittgenstein And Sraffa

Apparently Wittgenstein wrote the following in 1937:

"The origin and the primitive form of the language game is a reaction; only from this can more complicated forms develop.

Language - I want to say - is a refinement, 'in the beginning was the deed'." -- Ludwig Wittgenstein, Culture and Value (Translated by Peter Winch) (1980)

And Sraffa, I guess, wrote the following in the early 1930s:

"If the rules of language can be constructed only by observation, there can never be any nonsense said. This identifies the cause and the meaning of a word.

The language of birds, as well as the language of metaphysicians can be interpreted consistently in this way.

It is only a matter of finding the occasion on which they say a thing, just as one finds the occasion on which they sneeze.

And if nonsense is 'a mere noise' it certainly must happen, as sneeze, when there is cause: how can this be distinguished from its meaning?

We should give up the generalities and take particular cases, from which we started. Take conditional propositions: whan are they nonsense, and when are they not?" -- Piero Sraffa as quoted by Heinz D. Kurz, "'If some people looked like elephants and others like cats, or fish...' On the difficulties of understanding each other: the case of Wittgenstein and Sraffa", The European Journal of the History of Economic Thought, V. 16, n. 2 (2009): pp. 361-374

Wittgenstein to Sraffa

The March 2008 issue of Harper's Magazine reports that a new edition of Wittgenstein's letters in Cambridge is being published by Blackwell. They include the following 31 January 1934 letter:

Dear Sraffa,

The following are some remarks I've put down on the topic of our last conversation. I hope they won't be too disconnected and that you'll read them to the end.

You said, "The Austrians can do most of things the Germans did." I say, How do you know? What circumstances are you taking into account if you say they can? "This man, Austria, can remove the wedding ring from his finger." True, it's not too heavy and doesn't stick to his finger. But he may be ashamed of doing it, hiw wife may not allow it, etc.

You say, "Learn from what happened in Italy." But what should I learn? I don't know exactly how things happened in Italy. So the only lesson I can draw is that things one doesn't expect sometimes happen.

I ask, How will this whose face I can't imagine in a rage looks when he gets into a rage? And can he get into a rage? What shall I say when I see him in a rage? Not only, "Ah, so he can get into a rage after all," but also, "So this is the way he can be in a rage; so this is how it connects up with his former appearance."

You say to me, "If a man is in a rage, the muscles a, b, c of his face contract. This man has the muscles a, b, c, so why shouldn't they contract? If you, Wittgenstein, wish to know what he will look like in a rage, just imagine him with those muscles contracted. What will Austria look like when it turns Nazi? There will be no Socialist Part, there won't be Jewish judges, etc., etc., etc. That's what it'll look like."

I reply, This gives me no picture of a face; apart from the fact that I don't know enough about the workings of things to know whether all these changes that you point out will happen together. For I understand what it means to say that the muscles a, b, c will contract, but what will become of the many muscles, etc., between them? Can't the contraction of the one in this particular face prevent the contraction of the others? Do you know how in this particular case things interact?

You may say, "Surely the only way to tell the future physiognomy is to know more and more exactly the contractions, etc., of all, not only the main, muscles."

I say, I don't think this is the only way; there is another one, although the two ways meet. I may ask a physiologist what the face will be like, but also a painter. The two will give different answers - the painter by drawing the angry face - although if they both are correct they will agree. Of course, I know that painters have to study anatomy. I want to know the painter's answer, and I also want to know what the physiologist can tell me to check the painter's answer.

I am interested to know what phrases the Austrians will use when they'll have turned Naze. Supposing their patriotism is only talk, then I'm just interested in their future talk.

I wish to say one more thing. I think that your fault in a discussion is this: YOU ARE NOT HELPFUL! I am like a man inviting you to tea in my room, but my room is hardly furnished; one has to sit on boxes, and the teacups stand on the floor, and the cups have no handles, etc., etc. I hustle about fetching anything I can think of to make it possible that we should have tea together. You stand there with a sulky face, say that you can't sit down on a box and can't hold a cup without a handle, and generally make things difficult. At least that's how it seems to me.

Yours,

Ludwig Wittgenstein

Send A Letter

King’s College
Cambridge
14 March 1938

Dear Wittgenstein,

Before trying to discuss, probably in a confused way, I want to give a clear answer to your question. If as you say it is of “vital importance” for you to be able to leave Austria and return to England, there is no doubt – you must not go to Vienna. Whether you are a lecturer at Cambridge or not, now you would not be let out: the frontier of Austria is closed to the exit of Austrians. No doubt these restrictions will have been somewhat relaxed in a month’s time. But there will be no certainty for a long time that you will be allowed to go out, and I think a considerable chance of your not being allowed out for some time. You are aware no doubt that are now a German citizen. Your Austrian passport will certainly be withdrawn and then you will have to apply for a German passport, which may be granted if and when the Gestapo is satisfied that you deserve it.

As to the possibility of war, I do not know: it may happen at any moment, or we may have one or two more years of “peace”. I really have no idea. But I should not gamble on the likelihood of six months’ peace.

If however you decided in spite of all to go back to Vienna, I think: a) it would certainly increase your chance of being allowed out of Austria if you were a lecturer in Cambridge; b) there would be no difficulty in your entering England, once you are let out of Austria (of Germany, I should say); c) before leaving Ireland or England you should have your passport changed with a German one, at a German consulate: I suppose they will begin to do so in a very short time; and you are more likely to get the exchange effected here than in Vienna; and, if you go with a German passport, you are more likely (though not at all certain) to be let out again.

You must be careful, I think, about various things: 1) if you go to Austria, you must have made up your mind not to say that you are of Jewish descent, or they are sure to refuse you a passport; 2) you must not say that you have money in England, for when you are there they could compel you to hand it over to the Reichsbank; 3) if you are approached, in Dublin or Cambridge, by the German Consulate, for registration, or change of passport, be careful how you answer, for a rash word might prevent you ever going back to Vienna; 4) take care how you write home, stick to purely personal affairs, for letters are certainly censored.

If you have made up your mind, you should apply at once for Irish citizenship – perhaps your period of residence in England will be counted for that purpose: do it before your Austrian passport is taken away from you, it is probably easier as an Austrian than as a German.

In the present circumstances I should not have qualms about British nationality if that is the only one which you can acquire without waiting for another ten years’ residence: also you have friends in England who could help you to get it: certainly a Cambridge job would enable you to get it quickly.

I shall be in Cambridge till Friday: afterwards letters will be forwarded to me in Italy, so take care what you say, that you may be writing for the Italian censor.

My telephone is 3675: you will find me available before noon and in the evening after 10.

Yours
Piero Sraffa

Excuse this confused letter.